books
Emily Mason: Unknown to Possibility (Rizzoli)
“How to Foster a Healthy Writer-Editor Relationship” in Track Changes: A Handbook for Art Criticism (n+1/Paper Monument)
“The Never-ending Search” in Martin Buday: Prophetic Kingdom (Daylight Books)
Alice Trumbull Mason: Pioneer of American Abstraction (Rizzoli)
This House: Selected poems by Ana Martins Marques (Scrambler Books)
selected Essays
Momus, “What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs”
Literary Hub, “Painting Outside the Lines: On the Life and Work of Abstract Art Emily Mason”
Los Angeles Times, Image magazine, “The suitcase that can survive travel’s inner circle of hell (and look good doing it)”
Los Angeles Times, Image magazine, “What is it like to live in an L.A. hotel? Here’s a glimpse”
Los Angeles Times, Image magazine, “A mesa é um altar, the table is an altar”
Catapult, “Translated Self”
Los Angeles Times, Image magazine, “In the L.A. of my dreams quintessential Angeleno housing will be livable and communal”
Los Angeles Review of Books, “Ana C.’s Dress”
Words Without Borders, “The Translator’s Bookshelf”
Los Angeles Times, Image magazine, “The Inner Life of Bowlers”
Middlebury College, Portuguese Newsletter, “Accessing the World of Art and Writing from the Confines of Home”
Literary Hub, “Why Are We Obsessed With Writers’ Houses?”
Paris Review, "Falling in Love with an Empty Man: The Work of José Leonilson"
Hyperallergic, "Dressing Up My Dog After William Wegman's Photos of Weimaraners"
Paris Review, "Hélio Oiticica in New York"
Hyperallergic, "John Berger's Rare Art Criticism"
Hyperallergic, "Lina Bo Bardi's Glass House and the Multiple Worlds It Contains"
Hyperallergic, "Remembering Brazilian Poet and Art Critic Ferreira Gullar"
Hyperallergic, "Singing Along with Two Titans of Brazilian Music"
Hyperallergic, "'Familiar, Unbidden': Finding Home with Elizabeth Bishop"
selected profiles & interviews
Los Angeles Times, Image magazine, “My fake but real exchange with the artist Sophie Calle”
Los Angeles Times, Image magazine, “A morning with Takako Yamaguchi, the L.A. artist we should’ve already known”
Los Angeles Times, Image magazine, “Acting is tough, emotionally deep work. Lasyla De Oliveira has been on a journey”
Los Angeles Times, Image magazine, “Ed Ruscha shares his most cherished object, and another side of himself”
Los Angeles Times, Image magazine, “Catherine Opie wants to tell you about her sexy ‘big-bottom girl chair”
Los Angeles Times, Image magazine, “The Sound of Saudade,” on Sérgio Mendes
Hyperallergic, “Meet LA’s Art Community,” an interview series
New York Review of Books, “Luchita Hurtado’s Persistent Perspective”
Hyperallergic, "'You Can't Say It Doesn't Exist': A Curator on the Art of Latin American Women from 1960 to '85"
Hyperallergic, "Maira Kalman's Daily Digressions"
Hyperallergic, "Olafur Eliasson on Turning Light into Color"
Hyperallergic, "On Curating, and Translating, Latin American Art," an interview with Gabriel Pérez-Barreiro
selected book reviews & criticism
Los Angeles Times, “How is a book like love?”, The Long Form by Kate Briggs
Hyperallergic, “How John Berger Restores Our Relationship to Art,” A Writer of Our Time by Joshua Sperling
Hyperallergic, "The Idiosyncratic Writings of Leonora Carrington, a Reluctant Surrealist"
The Millions, "The Harrowing Translations of Valeria Luiselli"
Words Without Borders, “Albert Cossery’s ‘Laziness in the Fertile Valley,”
Words Without Borders, “Guillermo Rosales’s ‘Leapfrog & Other Stories”
Words Without Borders, "Antonio Tabbuchi's 'The Flying Creatures of Fra Angelico’"
selected art reviews & criticism
Hyperallergic, “An Art Movement Unapologetic About Love and Pleasure,” on With Pleasure at MOCA LA
Hyperallergic, “When Vija Celmins Holds the World Still”
Hyperallergic, "Helen Molesworth’s Last MOCA Exhibition Is an Act of Love"
Words Without Borders, "Tarsila do Amaral: Translating Modernism in Brazil"
Hyperallergic, "Seeing Latin America's Capitals Through a More Personal Lens," on Condemned to Be Modern at the Los Angeles Municipal Art Gallery
Hyperallergic, "An Artist Who Made Her Personal Life Central to Her Art," on Anna Maria Maiolino at MOCA LA
Hyperallergic, "Channeling Lygia Pape's Radical Relationship to Space"
Hyperallergic, "Andy Warhol's Self-Conscious and Perfect Bodies"
Hyperallergic, "An Artist Lays Bare the Obsessive Process of Translating Her Father's Novel"
Hyperallergic, "The Met Breuer Traces the Unfinished to the Deliberately Incomplete in Western Art"
Hyperallergic, "Marcel Broodthaers's Fraught Relationship with Words"
Hyperallergic, "Polaroids Steeped in the Fog of Memory"
Hyperallergic, "At Home with Vilhelm Hammershoi"
Hyperallergic, "Connecting the Lines Between Gego and Sarah Sze"
Hyperallergic, "The Kalman Family's Language of Looking"
Guernica, "Animating and Dismantling the Monuments of War"
Hyperallergic, "Art for an Uncertain World at the São Paulo Biennial"
Hyperallergic, "Contemporary Brazilian Artists at Home with Neo-Concretists"